Writers talk a lot about hooks-the thing in a story’s opening that grabs the reader and makes them want to continue. It’s a popular question among writing groups when critiquing a first page or scene: “Where’s the hook?”
This can be… frustrating.
The problem is that critiquers often don’t treat the term like the broad, vague thing that it is, which makes their critiques broad, vague, and unhelpful. First I’m going to explain how hooks are subjective, and then how to make your critique more beneficial to the writer.