New publication! Log Jam, now up at The Bohemyth

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I’m so excited to announce that my short story Log Jam has been published by a lovely journal called The Bohemyth. This piece, about the often inexplicable nature of depression, is very dear to me and was in submission for a long time, so I’m deeply thankful it found a home. It would mean the world to me if you read it.

You are allowed to write badly.

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We’ve probably all heard the adage, “Give yourself permission to write crap,” but I want to talk about it because it’s such an important one. We must face the inevitability that not every word we type will be fabulous, and that’s okay. We are allowed to be imperfect. Welcome it, embrace it. It’s your right as a human.

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30 lines for my 30th year!

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Today is my birthday!! Woooo! “Growing up” is lame and I refuse to do it, but birthdays are awesome. To celebrate turning the big three-oh, I decided to write 30 one-line stories. Because… challenge? Novelty? Masochism?? It was a lot harder than expected. But also fun. Some are silly and some are serious. Some have only a few words and some make abundant use of commas. I hereby present: Noel’s Thirty for Thirty~

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Why I dislike the term “Strong Female Character”

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I don’t like the term “Strong Female Character.”

That does not mean I prefer weak female characters. This is not a black and white world in which you either swing swords with swagger or cower in a corner. There’s a vast spectrum in between.

The reason I can’t stand the term “strong female characters” is because women described that way are usually one-dimensional, monotone cutouts of what the writer thinks a strong woman is. Often she’s a woman who can shoot a gun or throw a punch, and that’s enough. She never cries or feels uncertain or has any internal struggle whatsoever, unless of course it’s just for a minute to get the plot going and then she knows exactly how to deal with it. (Probably by shooting a gun.)

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Writing diversity: not exactly a how-to, more of a think-about

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This is a tough subject. A meaty subject. A big ol’ gristly steak of a subject that takes a lot of chewing and will not be thoroughly digested within a single blog post, but let’s dig our teeth in, shall we?

As writers, our characters probably look, act, and live like people we’re used to. If you’re white and straight, your characters are probably white and straight, because that’s what you know, and writing someone black or gay or Muslim or in a wheelchair takes some extra thought.

But here’s a really cool thing: the world is a far more interesting place than just white and straight (and male, and Christian, and able-bodied, etc etc), and there should be stories to reflect that. Because all stories deserve to be told. As citizens of the earth we have a duty to represent more than just our limited bubbles.

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Say Cheese

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I just need to make it through this party. I just need to make it through this party and then I can cry.

Alright. I can do this. Just fix a smile on my face and no one will ever know. Say cheese! Now hold it. Hoooold it. Damn, the corners are twitching. My cheeks hurt. I probably look like I’m snarling. As though I’m about to eat someone just to get out of here.

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Margarine

It’s been a year since Slink Chunk Press published this short story, so to honor the occasion I am reprinting it here. Enjoy!

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They say that everything is made from everything. Matter never disappears, it just becomes new matter. A cell from your skin catches a southeast breeze and eventually gets inhaled by a penguin; an atom expelled in some dinosaur dung finds its way over the eons to your pomegranate tea; a molecule from the sweat that glistened on Caesar’s temple evaporated and is now raining into your car through the window you left open.

We’re all just cosmos junk, recycled. Never ending, only changing. Ever since the universe’s first big sneeze, all that energy has been riding its waves wherever it can go, moving from one place to another. Perpetual tourists, all of us.

So then what happens if a bit of energy changes its mind? Has a change of heart on the metaphysical interstate and decides to detour over the center divider, head the opposite way?

Decides to come back?

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How to write what you know (even when you don’t know)

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It’s as ubiquitous as “Show, don’t tell.” You probably can’t even remember the first time you heard it, it’s touted so widely – in advice books, in classrooms, in movies about writers. Even the most non-writiest nonwriter who hasn’t held a pen since high school knows to write what we know.

But what does that actually mean?

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